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Showing posts from June, 2020

Life As A Swing: How Theatre Prepped Me For Ministry In A Pandemic

In most theatrical productions--particularly large format musicals--the cast consists ofleads--those who are featured the most in a showensemble members--those who support the show tremendously, providing vocals, wonderful dancing, and often, facilitating set changesunderstudies-- those who are the next in line for lead roles should the performer call out sick or have an important engagement that forces them to miss a show. Usually, understudies are also in the ensemble, so they learn their ensemble track and the lead rolestandbys--those who understudy a very prominent role in the show that's usually the lead or a major supporting character. Many times, the standbys are not in the ensemble. They just cover that one lead track and are to be at the theatre during the entire show or within 15-30 minutes of the theatre should they need to go on at a moment's noticeAnd finally, the swings
No. No, I didn't say swingers😎 ... though, I mean, nothing's wrong with that. To each …

Foolish Foundations

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Scripture: Matthew 7:15-29
My hope is built on nothing less
Than Jesus' blood and righteousness
I dare not trust the sweetest frame
But wholly lean on Jesus' Name
On Christ the solid Rock I stand
All other ground is sinking sand
All other ground is sinking sand
These lyrics, penned by the English hymnist and Baptist minister Edward Mote, in 1834 capture a rugged spirituality born at the crossroads of great industrial advancement and civil upheaval. 1834. This is the year when new inventions are being patented every week while anti-abolitionist riots are breaking out in New York City—
The year that slavery is abolished in the British Empire while the Ursuline Convent in Massachusetts is burned to the ground by an anti-Catholic extremist group in the name of Jesus. On Christ the solid Rock I stand All other ground is sinking sand,
Mote writes. I imagine him standing at the intersection of prophetic hope and indescribable despair with a pen and paper in his hands, trying to hold onto a …